Gabriel Naylor
Gabriel Naylor is an Emmy® Award-Winning Visual Effects Artist & Art Director with over ten years of professional experience working freelance in Phoenix AZ, Los Angeles, and abroad. He was pivotal in shaping the Visual Effects and Motion Graphics curriculum where he earned the Bachelor Degree from The Art Institute of Phoenix in 2005; voted best portfolio. Gabriel is the youngest recipient of the NAPP's "Photoshop Guru Award," with his team, a triple winner of the Nasa Means Business Competition, he earned three Telly's as a lead artist at Copper Post for the History Channel, and eight Addy's for clients including the Arizona Lottery and MINI.
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Sometimes you have to buy all the static grass in your state. #miniatures https://t.co/PIqOalrAEq
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A key to our TMHK culture is in the P&L. #1 Talent, #2 Tools, #3 Meals & Entertainment. #oxfordcommaftw
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Beer and Lego Friday (And you can too) http://t.co/ClIKKAxp3L
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Beer and Lego Friday (And you can too) http://t.co/ClIKKAxp3L
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Humanity is a beautiful mess http://t.co/xTvtjYIupt
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Lopes Up! GCU debuts a New Sports Branding Package! http://t.co/dFOeYfgtx6
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Lopes Up! GCU debuts a New Sports Branding Package! http://t.co/UFb62SeVNu
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Race Day http://t.co/LFV5rGcNrO
Daniel Margiotta
Daniel Margiotta is bad ass Art Director and 3D artist with an unquenchable thirst for creating visually striking and original works for the Motion Design and VFX medium.
Hailing from thoroughbred studios his collaborations with directors and agencies alike suss out top level creative for the best possible moving and static images.
Continuing his mission to bring audiences captivating visual spectacles, Daniel joined forces with his mentor and long time collaborator Gabriel Naylor. Together they built Tomahawk, a VFX and Motion Design studio that delivers the on the motto “Quality Wins.”
Jesse Stormer
Jesse hails from the snowy rust belt after realizing you can’t shovel sunshine. He began working with digital media after years of working in traditional art forms. Although he hasn’t so much as touched a paintbrush since discovering the undo button, that doesn’t keep him from bringing a traditional feel to all of his work. He wrestles polygons into submission while simultaneously wrangling even the most stubborn pixels. Color palettes faint and storyboards quiver of fear in his mere presence. In his spare time he enjoys memorizing RGB color codes, and counseling underprivileged splines who've lost their path.